Fairy tale it’s not. The ballet begins with a wedding in an austere but bright park amid Edwardian elegance. Kids fish, a kite flies, a lake twinkles in a background as soothing and neutral as all the handsome wedding guests. Odette/Diana (responsive Amber Scott) sails about in a wedding dress that has an enormous train at once beautiful and as entrapping as a mermaid’s tail. Encumbered by her dress and her new marriage, she is hauled around the stage like a fish by Charles (the lanky, boyish Adam Bull), who has to be given props for engaging in heavier lifting than a longshoreman at the Oakland docks. Meanwhile, Odette’s rival, the Baroness (the bold but musically banal Lana Jones), makes eyes at the Prince, and betrayal ensues. In short order, Odette/Di, the commoner despised by the Queen Mother, gets shelved by her new man, and in a snap is hauled off to a sanitarium by nuns with cornettes the size of megaphones. Moral: be careful whom you marry.
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Coached by Apl.de.ap from the Black Eyed Peas, the Lorenzanas made it to the second round. “Being mentored by a superstar was amazing,” she says. “He trained me to be more confident, to not hide in my brother’s shadow. He worked on the style of my voice, to sing with more intonation, to pronounce my words with more flow instead of being staccato with the syllables.”. Although she says it took hours to learn Sound of Music’s many variations of “Do Re Mi” and to become comfortable with love scenes she and Joe Metheny as Rolf have learned to toss off nonchalantly, Lorenzana spent little time watching the iconic 1965 film starring Julie Andrews and Christopher Plummer.
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Mattingly says Adams’ music “is something that I consider one of the best parts of the world,” and calls his Cabrillo experience “a dream come true.” He was just 16 when he met Adams in 2007 at Berkeley’s Crowden School, where Mattingly attended the John Adams Young Composers Program, another of the elder composer’s initiatives. After a concert featuring one of Mattingly’s pieces, the teen was shocked when Adams walked over to him, gave him a jokey “punch in the shoulder” and said, “We should hang out.” Informal composition lessons ensued, and they have continued intermittently to this day, even as Mattingly prepares for graduate school at Yale.