But the dance-making partners have grown increasingly confident in artfully filling the stage with dozens of people, and their latest work is their most populous yet. Garrett + Moulton Productions is presenting the world premiere of “Speak, Angels,” an evening-length work for 24 dancers, six singers and an instrumental septet led by composer/bass clarinetist Jonathan Russell, their longtime musical muse. The debut will be July 28-31 at the Yerba Buena Center for the Arts Theater. Putting 37 people on stage might sound like the makings of a train wreck, but Garrett and Moulton have been honing their “movement choir” format over the past seven years.
In cafes, on street corners, at work, everyone is talking about one thing, And that is Oakland’s ridiculous housing costs, Displacement has seemingly eclipsed public safety as residents’ and elected officials’ main concern of the day, Last week, Mayor Libby Schaaf announced a set of proposals to tackle the housing affordability crisis, It’s a reflection of how critical the situation has become that she chose to address this issue before releasing the public safety plan she has been promising for danzcue adult split sole canvas ballet slipper months now..
Lee Ann Womack was so good at last year’s Hardly Strictly Bluegrass festival in San Francisco. So, I had been counting down the days until the country star’s show at the lovely, intimate Great American Music Hall, which, for my money, is one of the best places to see live music on the entire planet. Finally, last night, it was show time – and Womack definitely did not disappoint, crooning through a magical set of both old and new material. Most people know Womack for the Grammy-winning single “I Hope You Dance,” which she did play toward the end of the evening. But she’s got so many other great tunes – “Never Again, Again,” “A Little Past Little Rock” and “I May Hate Myself in the Morning” were among the gems showcased at the Great American.
Hardcore Prince guitar-freaks — those who yearn for an entire album of six-string slash-and-burn in the mold of Jimi Hendrix, Ernie Isley, Eddie Hazel and Prince himself on “Purple Rain” and “I Could Never Take the Place of Your Man” — will find much to love on “Plectrumelectrum.”, Prince, 56, is an appreciator as much as an innovator, and he compresses about 50 years of guitar history into 12 tracks: the danzcue adult split sole canvas ballet slipper screaming punctuations on the feedback-saturated “Ain’tTurninRound” and “AnotherLove,” the Curtis Mayfield-style lyricism of “Whitecaps,” the punky urgency of “Marz.” But though the 3rdEyeGirl rhythm section of Donna Grantis, Hannah Ford Welton and Ida Nielsen provides a solid foundation, and shares some lead vocals, the songs feel slight, a touch predictable..
Ragazzi Boys Chorus: “Ubi Caritas: Where There is Love.” 5 p.m. Dec. 2, First United Methodist Church of Palo Alto, 625 Hamilton Ave., Palo Alto. 3 p.m. Dec. 3, First Presbyterian Church of Burlingame, 1500 Easton Drive, Burlingame. $15-$32. http://www.ragazzi.org or 650-342-8785. Rolston String Quartet: 7:30 p.m. Dec. 2. A Stanford Live Artist Spotlight. Tateuchi Hall; Community School of Music and Arts, Finn Center, 230 San Antonio Circle, Mountain View. Free. http://www.arts4all.org or 650-917-6800, ext. 305.